thumbnail image

Harm van den Berg

instagram

 

  • drawings
  • sound
  • installations 
    • inversion
    • sad song for the new breed
    • lullaby land
  • publications
  • curatorial
  • news
  • texts
  • about
  • contact

  • __drawings

  • broken image

    Visitor, 2025, wall drawing, pencil, 65 x 120 cm at Stokker Jaeger

  • broken image

    Wall drawing at:

    STOKKER JAEGER
    Underground
    THE BASEMENT SHOW Continues

    Lomanstraat 112, Amsterdam
    Open Friday–Saturday, 1–6 PM
    16 May – 19 July 2025

    Artists:
    B. Wurtz (USA)
    Eleye Boerenkamps (NL)
    Lucky DeBellevue (USA)
    Guy de Cointet (FR)
    Femke Dekkers (NL)
    Sander van Deurzen (NL)
    Kimball Holth (AUS)
    Judith Hopf (DE)
    Marijn van Kreij (NL)
    Wjm Kok (NL)
    Gerlach en Koop (NL)
    Matthew McCaslin (USA)
    Emmeline de Mooij (NL)
    Helma Pantus (NL)
    Rob Pruitt (USA)
    Steel Stillman (USA)
    Esther Tielemans (NL)
    HW Werther (NL)
    Voebe de Gruyter (NL/BE)
    Harm van den Berg (NL)
    Paul Drissen (NL)
    Brieke Drost (NL)
    Maria Roosen (NL)

    Music: Alan Licht – A New York Minute

    This all-friends exhibition and first show curated at project space STOKKER JAEGER features small works, some specifically prepared for this jam-packed exhibition.

    photo: Lily van der Stokker

  • Threshold of Complexity

    For the exhibition Sleep! at Kunsthal KAdE, Harm van den Berg created a large drawing installation—an elongated drawn network on panels with a total length of seven meters. For this artwork, he developed a special technique in which, using a needle, he meticulously removes black paint from the surface, revealing a delicate white web.

    The title of the work, Threshold of Complexity, refers to the point at which components in a network reach a certain level of organization, resulting in the spontaneous emergence of new properties. This phenomenon can be seen in ants, which as a colony build ingenious structures, in birds that form unique shapes in the air as a flock, or in the human brain, where consciousness and emotions arise from the highly complex neural network.

    Van den Berg's intricate, network-like drawings are created in a similar way. During the drawing process, new forms spontaneously emerge by repeatedly making minute graphic marks. For the artist, this is a way to visualize the dynamics of complex organizational processes that often lie hidden beneath the surface of reality.

    Within the context of the exhibition's theme of sleep, the deep black background of Threshold of Complexity can be seen as the sleep state, while the white drawn networks evoke associations with brain processes during various sleep stages. In this way, the installation can be read as a representation of the complexity and imaginative power of the human mind during sleep.

    Download portfolio

    Click on thumbnails and (double) click on picture to zoom:
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
  • broken image

    Detail of panel V

    broken image

    Overview installation Threshold of Complexity, 2024, at Kunsthal KAdE, seven panels, 2,5 x 7m.

    broken image

    Overview installation Threshold of Complexity, 2024, at Kunsthal KAdE, seven Dibond panels, each 140x100cm, black paint

  • broken image

    Detail of panel V

    broken image

    Detail of panel IV

    broken image

    Detail of panel III

    broken image

    Special edition of small original study drawings, available for purchase at the museum shop at Kunsthal KAdE. Each drawing comes in a small box with a hand-signed certificate of authenticity. These works are available in a limited quantity.

    broken image
    broken image

    sTOC #19, 2024, 12x10cm, black paint on Dibond, partly removed with a fine needle.

    Private collection

    broken image

    sTOC #32, 2024, 40x30cm, black paint on Dibond, partly removed with a fine needle.

    Private collection

  •  Click on thumbnails and (double) click on picture to zoom:

    sTOC #32
    broken image
    broken image
    broken image
  • broken image

    Digital inversion of Untitled, 2017, 77 x 53,5 cm, piezo Print on Hahnemuhle Ultra Matt paper, 2021

     

     

     

    A digital inverted version of drawing Untitled (2017) features now on the cover of Eric Schliesser's new book Newton's Metaphysics: Essays (2021), published by Oxford University Press.

    broken image
    broken image
    broken image
    broken image
    broken image
  • broken image

    C_tvN01, 2021, pencil on paper (detail)

    broken image

    TL_01, 2019, 35x25cm, aluminium frame with non-reflective museum glass.

    broken image

    DI_Ls01, 2022, 35x25cm, digital inversion printed on Hahnemuhle Ultra Matt paper, edition 5+2AP

    broken image

    DI_Ls07, 2022, 35x25cm, digital inversion printed on Hahnemuhle Ultra Matt paper, edition 5+2AP

    Click on thumbnails and (double) click on picture to zoom:

    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    Harm van den Berg - drawings - galerie Sanaa
    Harm Van Den Berg - galerie Sanaa

    Installation view The Invisibility of Colour, 2023 at galerie SANAA, Utrecht, NL

    Harm van den Berg - Drawing C_tvL02

    C_tvL02, 2021, Potlood op papier, 63x47cm

    Harm van den Berg - Drawing C_tvL02 (detail)

    C_tvL02 (detail)

    Harm van den Berg - Museum Belvédère

    Drawings at Art Noord IV, Museum Belvédère (06.10.22 - 09.10.22)

    broken image
    C_tvB01, 2021, Potlood op papier, 63x47cm
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image

    Cvl_02, 2022, pencil on paper, 63x47cm

    broken image
    broken image

    Drawings at Punt WG, Amsterdam (21.12.21 - 09.01.22)

    group show with Marieke Zwart, Jasper Coppes, Tao G. Vrhovec Sambolec

    broken image
    broken image
    broken image
    broken image
    broken image
  • Publication Emerge

    Click on thumbnails and (double) click on picture to zoom:

    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
  • Click on thumbnails and (double) click on picture to zoom:

    CLS01, 2018, 100 x 70cm, pencil on paper  (private collection)
    CLS01, detail
    CLS01, detail
    CL01, 2018, 35x25cm,  pencil on paper - private collection
    CL01, detail
    L01, 2019, 35x25cm, pencil on paper - private collection
    broken image
    L01, detail
    CLL03, 2019, 35x25cm, pencil on paper - private collection
    CLL03, detail
    CLL03, detail
    broken image
    CLL02
    CLL02
    T03
    T03
    T03
    broken image
    broken image
    CLL04
    broken image
    broken image
    broken image
    broken image
    broken image
    TV_01
    broken image
    CCL01
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    Show more
  • broken image

    Geestdrift festival, Pieterskerk, Utrecht

     

  • broken image

    Installation view of new drawings at Kunstrai 2021

     

  • broken image

    Installation view Drie Musketiers at Galerie Sanaa, 2020, with Roland Sohier and Uli Kürner

     

    broken image
    broken image
    broken image
    broken image

    Installation view Emerge at Galerie Getekend, 2019

    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
    broken image
  •  

     

    broken image

    Publication Emerge 2019/2020

  •  

     

    broken image

    Tekst van Len Borgdorff in het literaire tijdschrift LITER

  • broken image

    Drawings at Liter magazine

     

  • #42, 2018, Ink on paper, 40 x 30 cm
    #50, 2018, Ink on paper, 40 x 30 cm
    #82, 2018, Ink on paper, 40 x 30 cm
    #68, 2018, Ink on paper, 40 x 30 cm
    #61, 2018, Ink on paper, 40 x 30 cm
    #40, 2018, Ink on paper, 40 x 30 cm
    #35, 2018, Ink on paper, 40 x 30 cm
    #18, 2018, Ink on paper, 40 x 30 cm
    #17, 2018, Ink on paper, 40 x 30 cm
    #14, 2018, Ink on paper, 40 x 30 cm
    #12, 2018, Ink on paper, 40 x 30 cm
    #13, 2018, Ink on paper, 40 x 30 cm
    #08, 2018, Ink on paper, 40 x 30 cm
    #20, 2018, Ink on paper, 40 x 30 cm
    #05, 2018, Ink on paper, 40 x 30 cm
    #22, 2018, Ink on paper, 40 x 30 cm
    #02, 2018, Ink on paper, 40 x 30 cm
    #37, 2018, Ink on paper, 40 x 30 cm
    #49, 2018, Ink on paper, 40 x 30 cm
    #94, 2018, Ink on paper, 40 x 30 cm
    #92, 2018, Ink on paper, 40 x 30 cm
    #62, 2018, Ink on paper, 40 x 30 cm
    #43, 2018, Ink on paper, 40 x 30 cm
    #28, 2018, Ink on paper, 40 x 30 cm
    #24, 2018, Ink on paper, 40 x 30 cm

Harm van den Berg © 2025

    Cookie Use
    We use cookies to ensure a smooth browsing experience. By continuing we assume you accept the use of cookies.
    Learn More